ABOUT DOM

Dom Famularo has been traveling the globe preaching the gospel of drumming for over 40 years. An intense performer, Dom is one of the most respected solo drum artists in the world, with a career built solely upon his unique skills as a drummer, educator, author and motivational speaker.

He has presented master classes and clinics around the globe in the United States, Canada, Mexico, Brazil, Chile, Argentina, Columbia, Venezuela, Uruguay, Peru, England, Ireland, Scotland, France, Germany, Belgium, Holland, Luxembourg, Austria, Switzerland, Portugal, Spain, Norway, Sweden, Poland, Denmark, Russia, Israel, Serbia, Greece, Italy, Hungary, Costa Rica, Honduras, Puerto Rico, China, Hong Kong, Japan, Taiwan, Philippines, Malaysia, Indonesia, Singapore, Australia, New Zealand, Turkey, Canary Islands and South Africa.

He has directed and emceed major drumming expos around the world, and has been one of drumming’s most sought-after private instructors for over 40 years. Students regularly fly in from around the globe for intensive study with Dom…currently teaching over 1,000 students from over 20 countries at his WizDOM Drumshed studio in NY. A major player in the percussion industry, Dom acts as Education consultant for Sabian Cymbals, Vater Drum Sticks, Mapex Drums, Remo Drumheads, SE Microphones, and Wizdom Media for whom he oversees programs worldwide.

Currently Dom continues to travel intensively while working on several drum educational products as well as his series of motivational books. We hope this web site will bring you closer into the wonderful world of Dom!

Dom’s Bio:

His sensational drumming and brilliant communications skills have earned Dom Famularo a reputation of being the world’s leading motivational drum set artist / educator. Through history-making tours of China and the Far East, and with standing ovations to capacity audiences at virtually every major drumming event in Europe and the Americas, this vibrant performer from Long Island, New York is renowned for delivering entertaining and awe-inspiring performances unlike any other.

Tutored by legendary greats Joe Morello, Jim Chapin, Al Miller, Charlie Perry, Colin Bailey, Shelly Manne, Papa Jo Jones and Ronnie Benedict, Dom combines the masterful techniques of the past with the parameter-pushing concepts of today’s music for a highly creative and uniquely personal style of drumming. With hands powered by the famous Moeller technique and feet dancing through high-speed double-pedal bass drumming patterns he delivers performances that dip and dive through dynamics and styles with energy and ease. Elements of jazz, funk, fusion, and Latin rhythms permeate his sound, while every stroke speaks to the inventiveness that makes his drumming so exciting, entertaining, and inspiring.

The first Western drummer to perform clinics in China, Dom is accustomed to making headlines. He was a special guest performer at the first-ever Buddy Rich Tribute Concert, an event which he helped organize. He was a highlight as host and performer at the Pacific Rim Drum Invitational (the first drum event to be simulcast live on the Internet), and he’s a primary attraction at star-studded drumming events such as the LaRioja Drumming Festival, Koblenz International Drummer Meeting in Germany, the Florida Drum Expo, the Paris Music Show, the massive Ultimate Drummers Day in Australia, the Heartbeat World Rhythm spectacle for Canadian TV, and the Montreal Drumfest.

Dom doesn’t rely on major band affiliations as a claim to fame, but performances with the Buddy Rich Big Band, B.B. King, Lionel Hampton, Chuck Leavell (Rolling Stones), T Lavitz (The Dixie Dregs), and the Louie Bellson Big Band reveal the pedigree of his playing. He has shared the stage with Dave Weckl, Steve Gadd, Vinnie Colaiuta, Simon Phillips, Billy Cobham, Bernard Purdie, Rod Morgenstein, Chester Thompon, Terry Bozzio, Will Calhoun, Deen Castronovo, Russ McKinnon, Chad Smith, Mark Schulman, Denny Carmassi, Liberty DeVitto and Jim Chapin in worldwide drumming events. Dom fondly remembers performances with both Jeff Porcaro and Larrie Londin, both of whom he is proud to have had a friendship and perform with.

In addition to large drumming expos and clinic tours, Dom is an active educator at colleges, drum schools and camps. He has performed at the Percussive Arts Society Convention (PASIC), Percussion Institute of Technology (PIT) in Hollywood California, Drummers Collective in NY, KOSA Camp in Vermont USA, North Texas State University, the Graham Cole Percussion Camp in England, and Drummers Camp in the Black Forest of Germany and many others. In addition, he is an in-demand consultant to major music corporations, and serves as Education consultant for Sabian Cymbals, Vater Drum Sticks, Mapex Drums, Remo Drumheads, SE Microphones, and Wizdom Media for whom he oversees programs worldwide.

 ABOUT DOM Told By Dom

For the past few years, I travel the many countries performing, meeting, experiencing, teaching, learning and enjoying everyone that I am fortunate enough to encounter in this journey called life.
I hope you enjoy my new website. I am extremely excited about this new tool and great medium that allows us to communicate. For me, I get to meet more of you. And you now have the opportunity to experience my world of Global “DOM”ination.

For the last 5 years, I have traveled to at least 10 countries per year . My passion for drumming and teaching has directed me to great places all throughout North America, the Far East, Australia and to almost every county in Europe. Every place has given me more knowledge and experience to become a much better artist, as well as a person.
I began playing as a professional at the age of 12 along with my 2 older brothers and my younger sister. Eventually, I graduated to other bands and different performing situations. At seventeen years old my desire to commit to a career in drumming led me to many great teachers and mentors.

My first serious and focused teacher was Ronnie Benedict. He is a great motivator and educator. I studied the basics of rudiments, reading, and understanding different musical styles. Ronnie offered me an absolutely perfect way to begin the fundamentals of drumming. Ronnie has taught many great players; Dennis McDermott, Bill Messinetti, and Neil Grover to name a few. Ronnie passed away in 1999 and I continue to use his knowledge everyday.
My next teacher was Al Miller. Al is a tremendous resource for many players. He has taught such great drummers as Tom Brechtlein, Rod Morgenstein and numerous other great drummers. Al focused me on more intense reading, big band playing, drum set independence and a variety of drumming skills. Al also was a very good friend of Buddy Rich. It was through Al, I was able to meet and have many hangout sessions with Buddy. Al passed away in the year 2000 and I continue to be inspired by Al in every lesson.

My studies continued with Joe Morello. Joe was the top student of George Lawrence Stone, author of stick control. My first lesson was February 27, 1975. I remember that day vividly because he had influenced me greatly through his recordings. Joe taught me the fundamentals of technique and how it is used musically. Joe’s list of former students are a “who’s who” in drumming.

Next, on to Jim Chapin. Jim Chapin was born in 1920 and continued to actively perform and teach. Jim was truly one of a kind and was one of the percussion industry’s treasures. He provided my main guidance in learning the Moeller technique. Jim was a student of Sanford Moeller. It was because of this technique that doors were opened for my hands and feet to break barriers of speed, control, power and endurance.
In 1976, I attended the Dick Grove music school in California. I took 3 different courses under the direction of Louis Bellson, Joe Porcaro, Shelly Manne, Johnny Guerin, Jim Keltner, Roy Burns, Colin Bailey, David Garibladi and Ralph Humphrey. Each of them gave me inspiration and knowledge, adding another piece to my puzzle. While in California, I took private lessons with Les DeMerle at his school “The Cellar”. His high-powered playing and years of experience opened different doors for me. I enjoyed his intense drumming energy.

Moving back to New York in the late 70’s, I encountered Charlie Perry, with whom many meetings helped me focus and understand small group Jazz conceptualization. Charlie’s influence reached artists Jack DeJohnette, Mickey Hart , Tony Williams, and Joe Ascione to name a few. The percussion industry lost a great educator when Charlie passed away in 1998.

During the late 70’s and throughout the 80’s I performed in many different situations in New York. I had the chance to play with B.B. King, Lionel Hampton, Barney Kessel, Chuck Leavel and many other great musicians. I also maintained a very active private teaching schedule of 40 to 50 students a week. I have always enjoyed sharing the knowledge I have learned, and I am still developing along with my students. It is very rewarding to see many of my students become strong players and excellent educators.

At this time, the president of Tama Drums, Ken Hoshino, signed me on as Education Director. I began performing clinics throughout the nation opening for artists Simon Phillips, Billy Cobham, Lenny White, Denny Carmassi, Kenny Aronoff and many others.

This led me to Sabian Cymbals. I had heard the cymbals during my travels and was highly impressed by the quality and sound. As their Education Director since 1989, I travel internationally, circling the globe for various events. Sabian continues to be a leader in developing educational programs. It is always exciting synergizing with Bob Zildjian and the Sabian team.

I have been playing Vater sticks since 2020. I have always been impressed by the high quality and variety of their sticks. To work with Vater and their team is an amazing learning experience.

I currently endorse Mapex Drums. I have had the chance to play a variety of drums, and was very impressed by the quality and sound of Mapex. I am now International Education Executive traveling as a performer, educator and developer of education programs worldwide.

Quote From Dom:
“I have studied with the Masters, and what they passed on to me was an enthusiasm for self-expression. The fun in my life has been in challenging myself to be the best I can be. But rather than limit myself to just playing in a band, I want to share my talent to pass on the musical and philosophical values I’ve developed, so others can find and enjoy themselves the way I have.”